Short fiction
The Paris-Napoli Express. Ottawa: Oberon Press, 1986. 126 pp.
Transfigurations. Charlottetown: Ragweed Press, 1987. 125 pp.
Travelling Ladies. Toronto: Random House, 1990. 299 pp. [US edition, New York: William Morrow & Co., 1991.]
Poetry
White of the Lesser Angels. Charlottetown, PEI: Ragweed Press, 1986. 93 pp.
Marrying the Sea. London, ON: Brick Books, 1998. 122 pp.
Jasmine from the Balcony. A Special Limited Edition Book of 50 Copies. Toronto: Exile Editions, 2006. 42 pp. The first printing of the Etty Hillesum poems.
Midnight Stroll. Toronto: Exile Editions, 2006. 179 pp. This book, which begins with a dedicatory poem for Connie Rooke, consists of three long-poem sequences:
I. Midnight Stroll, after paintings by Natalka Husar. This section, pp. 1-25, includes reproductions of seven Natalka Husar paintings.
II. Etty Hillesum 1911-1943, for Claire Weissman Wilks. This section, pp. 27-127, includes reproductions of two monoprints and six drawings from Claire Weissman Wilks’ Etty Hillesum sequence.
III. The Waste Zone. This section, pp. 129-79, includes reproductions of twenty photographs by Goran Petkovski. The Waste Zone was first published in Exile: The Literary Quarterly 26.3 (2002): 49-96.
Foreign Relations. Kiev: Rodovid, 2009. 95 pp. Bound together with Natalka Husar, Burden of Innocence. Kiev: Rodovid, 2009. Reproductions of three sequences of paintings.
We Left the Camp Singing: The Etty Hillesum Poems and Drawings. Janice Kulyk Keefer and Claire Wilks. Preface by Diana Kuprel. Toronto: Exile Editions, 2018. xx, 98 pp.
Novels
Constellations. Toronto: Random House, 1988. 266 pp.
Rest Harrow. Toronto: HarperCollins, 1992. 241 pp.
The Green Library. Toronto: HarperCollins, 1996. 275 pp. [German translation, Die grüne Bibliothek. Munich: Piper Verlag, 1999.]
Thieves. Toronto: HarperCollins, 2004. xiv, 304 pp. [Australian edition, Sydney: HarperCollins, 2004.]
The Ladies’ Lending Library. Toronto: Harper Collins, 2007. 289 pp. [US edition, New York: HarperCollins, 2007, UK edition, London: Atlantic Books, 2009.]
Juvenile
Anna’s Goat: written by Janice Kulyk Keefer, illustrated by Janet Wilson. Victoria, B.C.: Orca Books, 2000. 32 pp.
Nonfiction
Under Eastern Eyes: a critical reading of Maritime fiction. Toronto: University of Toronto Press, 1987. xii, 299 pp.
Reading Mavis Gallant. Don Mills, ON: Oxford University Press, 1989. 231 pp.
Honey and Ashes: A Story of Family. Toronto: HarperCollins, 1998. xiv, 337 pp.
Dark Ghost in the Corner: Imagining Ukrainian-Canadian Identity. Prairie Centre for the Study of Ukrainian Heritage, St. Thomas More College, University of Saskatchewan. Saskatoon: Heritage Press, 2005. 52 pp., 9 coloured plates.
Edited
Precarious Present / Promising Future?: Ethnicity and identities in Canadian literature. Ed. Danielle Schaub, Janice Kulyk Keefer, and Richard E. Sherwin. Jerusalem: Magnes Press, 1996. 182 pp.
Two Lands, New Visions: Stories from Canada and Ukraine. Ed. Janice Kulyk Keefer and Solomea Pavlychko. Regina: Coteau Books, 1998. 312 pp.
Many of Janice Kulyk Keefer’s short stories, poems, and non-fiction writings have appeared in literary journals, anthologies, and edited collections of critical essays, but have yet to be collected in books under her name.
Critical Studies
Critical studies of Janice Kulyk Keefer’s works include the following:
Laurel Boone. “Fashion and Anti-Fashion in Recent Maritime Literary Criticism.” [On Under Eastern Eyes.] Acadiensis (1990): 212-24.
Colin Nicholson. “Grain of the actual: Janice Kulyk Keefer and her writing.” British Journal of Canadian Studies 7.2 (1992): 397-414.
Coral Ann Howells. “Janice Kulyk Keefer’s Travelling Ladies (for Simone Vauthier).” British Journal of Canadian Studies 7.2 (1992): 415-25.
Ellen Baptie, “Landscapes and Memory: An interview with Janice Kulyk Keefer.” Rivista di studi canadesi 9 (1996): 49-58.
Peter Roman Babiak. “Toronto, Capital of Ukraine: The Ends of Desire and the Beginning of History in Janice Kulyk Keefer’s The Green Library.” English Studies in Canada 29.1-2 (2003): 97-130.
Nancy Burke. “Retrieving Memory—Representations of Past and Present in Ashes and Miracles and Honey and Ashes.” In Place and Memory in Canada: Global Perspectives. Ed. Magdalena Paluszkiewicz-Misiaczek, Anna Reczynska, and Anna Spiewak. Kraków: Polska Akademia Umietjetnosci, 2005. 69-78.
Deborah Saidero. Reading Janice Kulyk Keefer. Udine: Forum, 2009.
Francesca Romana Paci. “Translating is also Remembering: Janice Kulyk Keefer’s Isle of Demons.” In Investigating Canadian Identities: 10th Anniversary Contributions, ed. Anna Pia de Luca. Udine: Forum, 2010. 99-109.
Dana Patrascu-Kingsley. “Transforming Ethnicities in Canada: Central and Eastern European-Canadian Writing in English.” In Embracing Otherness: Canadian Minority Discourses in Transcultural Perspectives. Torún: Wydawnictwo Adam Marszalek, 2010. 139-57.
Deborah Saidero, ed. Janice Kulyk Keefer: Essays on Her Works. Toronto: Guernica, 2011.
Britta Olinder. “The Holocaust as Private and Public Crisis: Janice Kulyk Keefer’s Poetic Version of Etty Hillesum’s Diary and Letters.” In The Cross-Cultural Legacy: Critical and Creative Writings in Memory of Hena Maes-Jelinek, ed. Gordon Collier, Geoffrey V. Davis, Marc Delrez, and Bénédicte Ledent. Netherlands: Brill, 2016. 327-45.
Monica Latham. “Thieving Facts and Reconstructing Katherine Mansfield’s Life in Janice Kulyk Keefer’s Thieves.”European Journal of Life Writing, VU University of Amsterdam (2014): 103-20.
Corinne Bigot. “Haunting Books and Stories in Janice Kulyk Keefer’s Postethnic Family Memoir Honey and Ashes.” In Women’s Life Writing and the Practice of Reading, ed. Valérie Baisnée-Keaye, Corinne Bigot, Nicoleta Alexoae-Zagni, and Claire Bazin. London and New York: Palgrave Macmillan, 2018. 237-54.